AGRI ISMAÏL

 
 

AGRI ISMAÏL is a Kurdish author based in Sweden who has worked as a corporate lawyer in London, Dubai, and Iraqi Kurdistan.

His work has been published in The White Review, The Rumpus, Guernica, Asymptote, and The Lifted Brow among other places. He is on the editorial board of the Swedish journal Glänta and an assistant editor at the British visual literary journal Short Fiction.

His piece HAUNTED HOME won the 2016 Stack award for best non-fiction and he was longlisted for the 2017/2018 Galley Beggar Press Short Story Prize for THE OUTPOST. His debut novel Hyper was published in spring 2024 by Chatto & Windus (UK) and Albert Bonniers Förlag (SE).

Photo: Märta Thisner

 
 

WORKS

HYPER

PUBLISHED January 2024, Chatto & Windus
genre fiction
PAGES 352

RIGHTS SOLD
Swedish: Albert Bonniers Förlag
German: Rowohlt
USA: Coffee House Press

A family saga set against the backdrop of the 2008 financial crisis, spanning two generations and three continents, HYPER is the story of a Kurdish family torn apart by migration. 

When Rafiq Kermanj, founder of the Kurdish Communist Party, is forced to flee Tehran for London with his conservative wife Xezal and three children, they suffer the shame of penury and migration layered on Kurdish statelessness.  

Agri Ismaïl’s unforgettable debut novel follows the lives of Rafiq’s children and their increasingly desperate relationship to money. Siver, the only daughter, escapes into an unhappy marriage in Baghdad before fleeing to raise her daughter as a single mother in Dubai. Mohammed, the eldest, stays in London to climb the unforgiving ladder of the financial sector. Laika, the youngest, retreats into a contactless digital life, designing the trading algorithms that will ultimately prove his downfall in a condo near Wall Street.

The siblings are so distant from one another that they no longer even share the same language: Siver’s world is presented in sparse fragments of contemporary auto-fiction, freely jumping from past to present; Mohammed’s in a hysterical realism reflecting London after the stock market crash; and Laika’s in a kinetic prose that emulates the speed and rhythms of the internet, a new topic always a click away.

At once a love letter to the systems novel and a subversion of the family saga, HYPER uses the unsettled nature of the Kurdish diaspora to capture the dislocations of life under capitalism. It calls to mind the doomed efforts of the outsider tying to succeed within western capitalism of Mohsin Hamid’s How to Get Filthy Rich in Rising Asia, the life within the internet of Patricia Lockwood’s No One is Talking About This, and the shifting perspective of Jennifer Egan’s A Visit From the Goon Squad with the thematics of The Candy House.

 

REVIEWS

”Agri Ismaïl masters the novel form like few debut authors. In over four hundred pages he never loses focus, sharpness or pace, it’s masterful. I would call HYPER a masterpiece.” – Expressen

”I would be surprised if HYPER is not nominated for a number of debutante awards and even the August Prize this year. Rarely has a Swedish debut novel been so tightly narrated and with a clear idea, without ever losing the human gaze on the characters (...) I am deeply impressed” – Borås Tidning

”[It is] both a rich novel of ideas and a moving family saga (…) [Ismaïl] portrays engaging characters with emotional acuity and simultaneously evokes the hyperreality of life in the first decade of the twenty-first century” – Times Literary Supplement

”[Agri Ismaïl’s debut] is a brilliant conceit, and this is a book of big, heady ideas: how 20th-century concepts of communism and solidarity have been run through the digital shredder of the 21st century.” – The Guardian

PUBLISHERS’ STATEMENTS

“HYPER is one of the most ambitious and impressive debut novels I have ever read. It reminds me of the early systems novels of Don DeLillo, but Agri Ismaïl has invented a global idiom all of his own, ingeniously using the story of a Kurdish family fractured by migration to explore the dislocations of life under capitalism. It calls to mind the work of literary giants as diverse as Mohsin Hamid, Patricia Lockwood, Jennifer Egan, Zadie Smith and Viet Thanh Nguyen. We have a stunning cover design featuring a rug by Faig Ahmed that perfectly encapsulates the disentangling of tradition in a contemporary (very online) world. This is both a novel for our times and a novel for all time.”
- Kaiya Shang, Chatto & Windus

”Agri Ismaïl’s HYPER is nothing less than a world class first novel. An incredibly absorbing and insanely ambitious novel of ideas – and of the more limited than great expectations of one family – that is rich with political history, social criticism and hypermodern satire. It made me think of novels like Jonathan Franzen’s FREEDOM or Zadie Smith’s WHITE TEETH, but with the edge of Michel Houellebecq or Bret Easton Ellis. Reading it, I couldn’t believe that it was a debut.”
- Johanna Haegerström, Albert Bonniers Förlag

"HYPER is a novel about exile – and about money. Agri Ismaïl's impressive, timely debut is shaped by the realities of our globalised world; through the fate of two generations of a Kurdish family, he explores the flows of people and the flows of capital. In doing so, Ismaïl proves to be a great literary talent with a voice all his own, who has succeeded in writing a captivating, beautifully crafted novel with fascinating characters."
- Sarah Houtermans, Rowohlt